Dublin

http://rosiegreenwood.wordpress.com/

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Travelled from Sheffield to Nowa Huta

In a Nowa Huta junk shop, two disposable cameras (best before 2005) for sale: 4 złoty each

already used - all photos taken - why sell a used camera?

cannot be used again - filled with events - images - memories - someone else’s souvenir

Travelled from Nowa Huta to Sheffield

Developed cameras

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christening - party - celebration - festival - traces of other souvenir in pictures - fields of Dublin?

someone else’s trace of Dublin - James Joyce/Ulysses….

The book is a literary experiment by Joyce, using a basis of Homer’s Odyssey story to create a skeleton upon which the story of another character is based. It takes place in one day, and each chapter is treated as a different experiment in story-telling, generating and amazingly rich and interesting literary experiment, if not a traditional story - one tends to either find it fascinating or frustrating…

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Joyce’s Dublin in Ulysses is notably accurate in terms of street names used and places referenced - a map can be built up of the protagonist’s movements in this one day… thus an imaginary map of a non-existent character overlaps the ‘real’ map of Dublin - however I have never been to Dublin, but have read Ulysses twice now - which is more real to me: Bloom (the protagonist’s) journey within the city, or the tourist map of a place I have never been to? any ‘memories’ I may have of Dublin therefore come more from the book than the place…

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Excerpt:

Ulysses by James Joyce
first words…..
“CHAPTER 1
– I –

STATELY, PLUMP BUCK MULLIGAN CAME FROM THE STAIRHEAD, bearing a bowl of
lather on which a mirror and a razor lay crossed. A yellow dressinggown,
ungirdled, was sustained gently behind him by the mild morning air. He
held the bowl aloft and intoned:
–INTROIBO AD ALTARE DEI.
Halted, he peered down the dark winding stairs and called out coarsely:
–Come up, Kinch! Come up, you fearful jesuit!”
last words….

“..when I put the rose in my hair like the
Andalusian girls used or shall I wear a red yes and how he kissed me
under the Moorish wall and I thought well as well him as another and then
I asked him with my eyes to ask again yes and then he asked me would I
yes to say yes my mountain flower and first I put my arms around him yes
and drew him down to me so he could feel my breasts all perfume yes and
his heart was going like mad and yes I said yes I will Yes.”

note on the three city Interdependance of writing Ulysses - Joyce left this note on the text as to where he wrote the book:

“Trieste-Zurich-Paris
1914-1921″



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Safari hates me

About

Studio Six, MArch School of Architecture,

University of Sheffield

The work of  Studio Six is linked to the Interdependence Day project, (www.interdependenceday.co.uk)

launched in 2006 to reinvigorate sustainability debates and to question some of the technocratic outcomes of seeing ecological and economic concerns as an accounting or ‘problem solving’ challenge.

What can architecture contribute to this attempt to reconsider global, economic and environmental issues?

Interdependent understanding invites an architecture rooted in creativity and metaphor, which ‘listens’ to the potential of a city rather than imposing mark marketable criteria of enterprise, lifestyle or efficiency. This architecture is based on conversations between the city and its varied inhabitants, and in an awareness of its social, economic and ecological metabolism.

The interdependencies of a place may be understood as a particularly dynamic and complex constellation of social, economic and emotional relations, but the term also has ambitions for a sense of a place that is extroverted and unexpected. Interdependence includes a consciousness of links with the wider world integrating in a positive way the near and far, the local and the global, the human and the ecological.

The studio will instigate alternative modes of architectural collaboration, representation, and communication that are more open and amateur rather than specialised or expert. We will be exploring an architecture of ‘making-do’ and of ‘provisional construction’.

The studio has been exploring the ’steel cities’ of Nowa Huta and Sheffield but we have also been thinking about other cities, about state responsibility, about carnival, about pigeons…     Renata Tyszczuk